THE BEATLES - WITH THE BEATLES : AI - AUDIO COMPANION MULTITRACK REMIX AND REMASTERS COLLECTION [2CD] [Superb Premium]

The Beatles latest editing AI audio album series is
now available! Original multi-track new editing by
new dimension AI sound source analysis Each 4 k
inds of sound sources by stereo remix are record
ed together. The latest reference to Beatles sound
research! The latest album collection of collector'
s attention! !!
THE BEATLES
=AI - AUDIO COMPANION=
MULTITRACK REMIX AND REMASTERS COLLECTION
★ 4 versions of all songs from the new multi-track
stereo remix and other albums based on a new di
mension of AI sound source analysis!
In addition to the latest remixed stereophonic s★
tereo with original channel separation, naked vocals
and backing tracks are also included!
Original sound source stereo mix from the origina★
l analog master of the 1960s is also included!
Introducing the new audio album series that reconstructed all the original B
eatles albums with the latest version of 2021 remix and remaster by the late
st AI sound source analysis! Original multi-track new editing by new dimen
sion AI sound source analysis All songs of the album are recorded with so
und sources of 4 versions, centering on stereo remixes. In the first half of D
ISC1, the latest 2021 remix and remaster sound source is recorded as [MUL
TI TRACK REMIX AND REMASTERS STEREO REMIX]. Since the 1960s was
a monaural era, the original stereo sound source was a simple stereo mix p
eculiar to the early days, and there were many unnaturally unbalanced ster
eo mixes. .. Reconstruction of such a stereo mix with a new mix based on t
he multi-track sound source separated by the latest AI sound source analy
sis. It has been reborn as the latest remix and remaster sound source that
has been reproduced more clearly than ever from the stereo mix at the time
when the main vocal was biased to one channel and the chorus and each in
strument were unbalanced. It's the latest stereophonic stereo remix that's j
ust modern and up-to-date. The latter half, [NAKED VOCAL TRACK STERE
O REMIX], is a mix that extracts the main vocal track and suppresses the p
erformance as much as possible, and is a mix centered on raw vocals. It's a
n interesting mix that highlights the unique vocals and chorus style that ar
e the strengths of the Beatles. In the first half of DISC2, the original analog
stereo mix, which is not the sound source that has been digitally remastere
d and repaired, is recorded as [ORIGINAL ANALOG MASTER STEREO MIX].
It is a basic stereo mix as it is engraved on the record board of the 1960s, w
hich is useful for listening and comparing how it is different because it is th
e original sound source of the opposite pole from the first half of DISC1. An
d in the latter half [BACKING TRACKS INSTRUMENTAL STEREO REMIX], al
l the songs of the album are recorded with the instrumental of the performa
nce only with the vocal track, which is the opposite of the latter half of DIS
C 1, turned off as much as possible. Depending on the song, it is a backing
track other than the lead vocal that left the chorus, and it has a characterist
ic like a unique remix, and it is the first appearance as an instrumental reco
rding covering all songs of the album by the latest AI sound source analysi
s. 2021 latest version remix and remaster sound source that is indispensab
le for sound source research approaching Beatles sound analysis with AI s
ound source analysis that has evolved more than ever. A must-listen audio
album series for sound source collectors newly reconstructed with the late
st technology! This is a highly recommended collection! !!
THE BEATLES
/ WITH THE BEATLES
: AI - AUDIO COMPANION
MULTITRACK REMIX AND REMASTERS COLLECTION
[2CD] Superb Premium SPSC0002D1/2
The UK original second album released in November 963. Eight original so
ngs and six Motown and R & B covers were recorded without recording sin
gle hit songs, and became a single outside the UK, "All My Loving" and "I
Wanna Be Your Man" provided to the Rolling Stones.・ Your Man ”, George
Harrison's first songwriting“ Don't Bother Me ”, etc., which is an album that
symbolizes the early Beatles who are making a leap from the UK to the worl
d, and the same jacket as“ Meet the Beatles ”in the United States and Japa
n. It was released with different edits while being a photo. Until this album, I
started to use double tracking of vocals and some overdubs, but basically i
t was a simple mix with 2 tracks recording and the original stereo mix was
divided into the left channel for performance and the right channel for voca
ls. .. This time as well, the performance track that was put together in the le
ft channel in almost monaural state is distributed to real stereo, and the vo
cal that was the right channel is dramatically reborn as the latest remix and
remaster that is localized in the center. It is an easy-to-understand album w
hen you compare the effects of the original multi-track new editing stereo r
emix unique to dimensional AI sound source analysis.
DISC 1
MULTITRACK REMIX AND REMASTERS STEREO REMIX = track 01~14
NAKED VOCAL TRACK STEREO REMIX = track 15~28
01 / 15. IT WON'T BE LONG
02 / 16. ALL I'VE GOT TO DO
03 / 17. ALL MY LOVING
04 / 18. DON'T BOTHER ME
05 / 19. LITTLE CHILD
06 / 20. TILL THERE WAS YOU
07 / 21. PLEASE MISTER POSTMAN
08 / 22. ROLL OVER BEETHOVEN
09 / 23. HOLD ME TIGHT
10 / 24. YOU REALLY GOT A HOLD ON ME
11 / 25. I WANNA BE YOUR MAN
12 / 26. DEVIL IN HER HEART
13 / 27. NOT A SECOND TIME
14 / 28. MONEY (THAT'S WHAT I WANT)
DISC 2
ORIGINAL ANALOG MASTER STEREO MIX = track 01~14
BACKING TRACKS INSTRUMENTAL STEREO REMIX = track 15~28
01 / 15. IT WON'T BE LONG
02 / 16. ALL I'VE GOT TO DO
03 / 17. ALL MY LOVING
04 / 18. DON'T BOTHER ME
05 / 19. LITTLE CHILD
06 / 20. TILL THERE WAS YOU
07 / 21. PLEASE MISTER POSTMAN
08 / 22. ROLL OVER BEETHOVEN
09 / 23. HOLD ME TIGHT
10 / 24. YOU REALLY GOT A HOLD ON ME
11 / 25. I WANNA BE YOUR MAN
12 / 26. DEVIL IN HER HEART
13 / 27. NOT A SECOND TIME
14 / 28. MONEY (THAT'S WHAT I WANT)
[Transition of Beatles recording technology and remastered sound source work]
The Beatles have released 13 original albums in the UK during the eight years
from their debut in the UK in 1962 to their dissolution in 1970. In the first half of
the 1960s, stereo playback devices were generally in the process of becoming
widespread, and records were mainly monaural, and even for the Beatles, mixing
work was basically monaural, and stereo was produced afterwards. As a result,
master tapes are made separately for monaural and stereo, which makes a
difference in take and mix, and various sound sources exist as different versions.
At the time of the Beatles debut, EMI Studio (Abbey Road Studios) was a simple
environment far from the present, and the recording equipment is basically 2
tracks. In his debut album "Please Please Me", vocals and performances are
recorded in one shot like a studio live, and there is almost no overdubbing. In the
stereo mix from 2 tracks, vocals and performances are simply divided into left
and right, which is a simple stereo mix that continues until the next album. At that
time, monaural was the mainstream, and it was just formally produced regardless
of stereo. Let me know that I just did it. In October 1988, the single "Hugging"
was the first Beatles song to use a 4-track recorder, and evolved from the
previous stereo mix to the third album "A Hard Days." Until Abbey Road Studio
introduced an 8-track recorder during the recording of "Night" to "The Beatles
(White Album)", it was basically a recording environment where overdub was
repeated with 4 tracks. The multi-track recording album "Abbey Road" was
released only in stereo, but all the previous albums have been released in two
ways, monaural and stereo, and masters with different mixes have been
produced. After the 1970s, stereo became the mainstream and the monaural mix
was forgotten as a past sound, but all Beatles albums were to be made into a CD
for the first time in 1987, but George Martin, who was asked to supervise,
released the CD. The remix and remaster that was convincing on the verge was
not in time, and the initial 4 albums were monaural, "Help! Only two titles,
"Rubber Soul", adopted a newly remixed sound source to eliminate the
discomfort of old-fashioned stereo, and after "Revolver", the same stereo mix as
in the record era was released as a CD. In the 90's, while unreleased sound
sources other than the original albums such as "Anthology Trilogy" and "Live at
the BBC" continued to be released, it was the first multi-track as "Yellow
Submarine Songtrack" in 1999. A remix album that makes full use of the track
has appeared. After that, remix albums such as "Let It Be ... Naked" in 2003 and
"LOVE" in 2006 will continue to be released. The CDs of all the albums, which
were half-released due to the improvement of digital mastering technology for
many years since the first CD in 1987, are not remixed as a standard version by
the 2009 digital remaster. Released all official 213 original works in stereo and
monaural with minor modifications and improvements based on the master
sound source. This is still a standard sound source. On the other hand, in the
same 2009, the game software was released as "The Beatles: Rock Band".
Contrary to the remastering of the original master sound source for games, a
sound source in which vocals, guitar, bass, and drums are separated from the
multi-track sound source by a mixer has appeared. The existence of numerous
remix variations based on these will already be familiar to Beatles collectors. In
recent years, the release of the latest remix remaster BOX for each album has
become a hot topic from the remix commemorating the 50th anniversary of the
release of "Sergeant Peppers" in 2017, and the Beatles sound source continues
to evolve with the times.
[AI Audio Companion: Features of Remix and Remaster (Detailed Explanation)]
As introduced in "Transition of remastered sound source work" as the basic
knowledge of the Beatles sound, there have been recurrences and remix album
releases by the latest remaster, but this "AI Audio Companion: Remix and"・ In
the "Remaster" series, the multi-track sound source attempted in "The Beatles:
Rock Band" was further evolved, and the vocal, guitar, bass, and drums parts,
which were limited to the selected songs at that time, were separated. All the
works are reconstructed in units of original albums with the latest version by the
latest AI sound source analysis. All songs are recorded for each album, which
used to be a multi-track sound source that was only a part of the selected songs
in "Rock Band". Based on the original multi-track sound source where each part
of vocal, guitar, bass and drums is separated, it is finished as a new remix that is
different from the original stereo mix. [MULTI TRACK REMIX AND REMASTERS
STEREO REMIX] is a new stereo mix that has undergone a major change from
the original unnatural stereo sound image of the 1960s to a remix that is
conscious of modern stereo localization without a sense of unnaturalness. In
particular, the difference in stereo mix from the early to mid-term can be clearly
seen by listening directly with headphones or stereo earphones. In the stereo
from 2 tracks in the initial 2 albums, it has been reborn as a stereo mix that
simply separates the monaural performance tracks that are grouped into one
channel, converts the performance itself into stereo, and then localizes the
vocals to the center. Can be said to be an achievement unique to the latest AI
sound source analysis. This attempt has already been released several times for
sound source collectors in recent years, but if you dare to listen and compare,
you can hear the difference in the texture of the sound, stereo localization, and
sound image. [NAKED VOCAL TRACK STEREO REMIX] pulls out the main
vocal track and turns off the performance completely with a mix that suppresses
the performance as much as possible. It's a "naked" remix that extrudes fresh
vocals while leaving them. In a sense, it is a unique sound source because there
is a multi-track sound source in which each part of vocals, guitar, bass, and
drums is separated, and it is the first appearance that all songs of the album are
recorded in this way. [ORIGINAL ANALOG MASTER STEREO MIX] is literally a
complete reproduction of the original sound source of the 1960s, and the source
is the sound source of the mobile fidelity master record produced directly from
the British original stereo master with high sound quality. 96/24 Recorded based
on a high-resolution digital sound source. It is an original analog stereo mix of the
original record master, which is not a sound source that has been restored by the
current digital remaster. It is a flat-transferred reference sound source that
conveys the sound of the original record, which is now expensive and difficult to
obtain. Furthermore, [BACKING TRACKS INSTRUMENTAL STEREO REMIX],
which can be said to be a karaoke of all songs in the album, is a remix sound