LED ZEPPELIN - LIVE IN JAPAN 1971 3CD BEST & DEFINITIVE EDITION
LED ZEPPELIN - LIVE IN JAPAN 1971 3CD BEST & DEFINITIVE EDITION
Price: US$50.00(tax included)
Weight: 300kg
Item description
Live at Festival Hall, Osaka, Japan 29th September 1971 (from Original Masters)
Disc 1 (67:31)
1. Introduction ★0:00-4:07 Aud2
2. Immigrant Song
3. Heartbreaker
4. Since I've Been Loving You
5. Black Dog ★1:21-1:47 Aud2 / 5:53-5:56(演奏後) 初のアセテートSB Monoでの補填(※既発は全てAud補填)
6. Dazed And Confused ★15:03-15:15 アセテートSB Mono+Aud1(※既発盤はここで欠落あり) / 22:59-23:07 アセテートSB Mono
/23:07-23:44 Aud1 / 28:23-30:34 アセテートSB Mono / 30:34-31:08 Aud1
/32:00-32:04(演奏後) Aud3(※既発盤は未補填)
※幻惑は初の疑似完成版での収録！
Disc 2 (73:15)
1. MC
2. Stairway To Heaven
3. Celebration Day
4. That's The Way ★3:02-3:28Aud2
5. Going To California ★5:21-5:47 Aud2
6. Tangerine
7. Friends
8. Smoke Gets In Your Eyes
9. What Is And What Should Never Be ★3:39-4:03
10. Moby Dick ★2:22-6:04 OG LP盤 / 6:04-11:49 Aud2
Disc 3 (66:01)
1. MC
2. Whole Lotta Love ★5:52-6:31 Aud4 / 19:07-21:14 SB Mono / 21:14-21:16 Aud3(※既発盤は欠落あり) / 21:16-22:17 SB Mono / 22:17-23:02 Aud4 / 29:36-31:29 OG LP盤
※曲間は2分半ほどAud3で補填
3. Communication Breakdown
※曲間はAud3を2種類使用(延べ約4分10秒)して過去最長収録・初の疑似完全収録！
4. Organ Solo
5. Thank You ★4:57以降 SB Mono
6. Rock And Roll ★丸ごとSB Mono (1:48-2:15Aud1補填)
Soundboard Stereo 1...This is the main tape source stereo SB recorded this time.
Speaking of the definitive 929 SB, this has been the sound for a while.The bass range is thick, and it is fluffy but natural.It is characterized by bold stereo panning.
Soundboard Stereo 2...Familiar OG
Stereo SB of LP record.The sound is extremely fresh and clear, and it seems that the tape is no longer in circulation.
Although the sound is not as low as the stereo SB tape mentioned above, the drum sound has a very direct feel when listening to the area around Moby Dick, which is something to behold.Moreover, it does not have the fluffy feeling of the stereo SB mentioned above, so I chose this one. I wonder if there are people who like it.
Also, although the separation is not as extreme as the stereo SB above, this is definitely a stereo recording.
Soundboard Mono 1...This SB Mono tape is the only one on SB that does R&R from the end of Thank You.
In the past, it was sometimes described as an Aud sound source in some documents, but it is definitely an SB sound source.
Adopted from a cassette tape said to have been used on Mud Dogs records in the past.
Compared to the time of the Mud Dogs edition, the thickness and depth of the sound is different due to advances in digital technology!
There is no popping noise that can be seen on some previously released copies.
Soundboard Mono 2...This is an acetate board, and there are parts of the SB recording only on this board, such as the part of the illusion and the inter-song part after the performance of Kuroinu, which is useful.This time, it was directly digitized from the acetate board and used for supplementary purposes (* This is also the first time the part has been released on CD).
Aud Source 1... Stereo Aud familiar from H-Bomb and TDOLZ. Previously, it was thought to be the only full-length sound recorded, but recent research has corrected this to be this recording of everything from Immigrants to Moby Dick. I did.
Aud Source 2...This is a monaural AUD familiar from TDOLZ, Scorpio, etc., and it is a recording mainly from the intro part before the live start to the middle of Moby Dick (Heaven, Celebrity is unaccounted for), and the sound quality is an Aud sound source. The best of these is the original sound source. This time as well, when using the Aud sound source, it is given top priority.
Aud Source 3: A monaural Aud used in H-Bomb, TDOLZ, Scorpio, etc. from communication to the final stage, and was once considered Source 1.
This is a record called Source 1, and in reality, an Aud version made up of multiple sound sources and made into a full-length version was distributed among traders, and H-Bomb records etc. were considered Aud sound sources (at that time, source classification was still It is thought that the CD version was originally distributed as a CD (I don't think there was one), but it was actually composed of multiple sound sources.When composing, this Aud source 3 was responsible for the final part after communication. That means.
Although this Aud source 3 itself has some omissions, it is actually a recording with an amount equivalent to 3 CDs, and in recent years, the full-length version of this Aud 3 alone has also been released on CD, and from "Immigrant" to "Full of Chest" in Aud Source 3, That's where it first appeared.Although the sound quality is strict and the priority is low, this sound source is the longest recorded AUD sound source, and this source 3 is the only audience recording of Communication, Thank You, and R&R.The audience waited for an even longer encore. It is a valuable sound source that captures the screams of the fans, and is an indispensable part of "929".
Aud Source 4...Stereo sound source used in the "Chestful" part by H-Bomb, TDOLZ, Scorpio, etc.
This is also what was once considered as Source 1. It is an Aud recording with a very similar texture to Source 1, but overseas it is counted as the fourth Aud sound source. This sound source is only "Chest Full". Therefore, there are currently two types of ``heart-filling'' Aud sound sources.
Disc 1 (67:31)
1. Introduction ★0:00-4:07 Aud2
2. Immigrant Song
3. Heartbreaker
4. Since I've Been Loving You
5. Black Dog ★1:21-1:47 Aud2 / 5:53-5:56(演奏後) 初のアセテートSB Monoでの補填(※既発は全てAud補填)
6. Dazed And Confused ★15:03-15:15 アセテートSB Mono+Aud1(※既発盤はここで欠落あり) / 22:59-23:07 アセテートSB Mono
/23:07-23:44 Aud1 / 28:23-30:34 アセテートSB Mono / 30:34-31:08 Aud1
/32:00-32:04(演奏後) Aud3(※既発盤は未補填)
※幻惑は初の疑似完成版での収録！
Disc 2 (73:15)
1. MC
2. Stairway To Heaven
3. Celebration Day
4. That's The Way ★3:02-3:28Aud2
5. Going To California ★5:21-5:47 Aud2
6. Tangerine
7. Friends
8. Smoke Gets In Your Eyes
9. What Is And What Should Never Be ★3:39-4:03
10. Moby Dick ★2:22-6:04 OG LP盤 / 6:04-11:49 Aud2
Disc 3 (66:01)
1. MC
2. Whole Lotta Love ★5:52-6:31 Aud4 / 19:07-21:14 SB Mono / 21:14-21:16 Aud3(※既発盤は欠落あり) / 21:16-22:17 SB Mono / 22:17-23:02 Aud4 / 29:36-31:29 OG LP盤
※曲間は2分半ほどAud3で補填
3. Communication Breakdown
※曲間はAud3を2種類使用(延べ約4分10秒)して過去最長収録・初の疑似完全収録！
4. Organ Solo
5. Thank You ★4:57以降 SB Mono
6. Rock And Roll ★丸ごとSB Mono (1:48-2:15Aud1補填)
Soundboard Stereo 1...This is the main tape source stereo SB recorded this time.
Speaking of the definitive 929 SB, this has been the sound for a while.The bass range is thick, and it is fluffy but natural.It is characterized by bold stereo panning.
Soundboard Stereo 2...Familiar OG
Stereo SB of LP record.The sound is extremely fresh and clear, and it seems that the tape is no longer in circulation.
Although the sound is not as low as the stereo SB tape mentioned above, the drum sound has a very direct feel when listening to the area around Moby Dick, which is something to behold.Moreover, it does not have the fluffy feeling of the stereo SB mentioned above, so I chose this one. I wonder if there are people who like it.
Also, although the separation is not as extreme as the stereo SB above, this is definitely a stereo recording.
Soundboard Mono 1...This SB Mono tape is the only one on SB that does R&R from the end of Thank You.
In the past, it was sometimes described as an Aud sound source in some documents, but it is definitely an SB sound source.
Adopted from a cassette tape said to have been used on Mud Dogs records in the past.
Compared to the time of the Mud Dogs edition, the thickness and depth of the sound is different due to advances in digital technology!
There is no popping noise that can be seen on some previously released copies.
Soundboard Mono 2...This is an acetate board, and there are parts of the SB recording only on this board, such as the part of the illusion and the inter-song part after the performance of Kuroinu, which is useful.This time, it was directly digitized from the acetate board and used for supplementary purposes (* This is also the first time the part has been released on CD).
Aud Source 1... Stereo Aud familiar from H-Bomb and TDOLZ. Previously, it was thought to be the only full-length sound recorded, but recent research has corrected this to be this recording of everything from Immigrants to Moby Dick. I did.
Aud Source 2...This is a monaural AUD familiar from TDOLZ, Scorpio, etc., and it is a recording mainly from the intro part before the live start to the middle of Moby Dick (Heaven, Celebrity is unaccounted for), and the sound quality is an Aud sound source. The best of these is the original sound source. This time as well, when using the Aud sound source, it is given top priority.
Aud Source 3: A monaural Aud used in H-Bomb, TDOLZ, Scorpio, etc. from communication to the final stage, and was once considered Source 1.
This is a record called Source 1, and in reality, an Aud version made up of multiple sound sources and made into a full-length version was distributed among traders, and H-Bomb records etc. were considered Aud sound sources (at that time, source classification was still It is thought that the CD version was originally distributed as a CD (I don't think there was one), but it was actually composed of multiple sound sources.When composing, this Aud source 3 was responsible for the final part after communication. That means.
Although this Aud source 3 itself has some omissions, it is actually a recording with an amount equivalent to 3 CDs, and in recent years, the full-length version of this Aud 3 alone has also been released on CD, and from "Immigrant" to "Full of Chest" in Aud Source 3, That's where it first appeared.Although the sound quality is strict and the priority is low, this sound source is the longest recorded AUD sound source, and this source 3 is the only audience recording of Communication, Thank You, and R&R.The audience waited for an even longer encore. It is a valuable sound source that captures the screams of the fans, and is an indispensable part of "929".
Aud Source 4...Stereo sound source used in the "Chestful" part by H-Bomb, TDOLZ, Scorpio, etc.
This is also what was once considered as Source 1. It is an Aud recording with a very similar texture to Source 1, but overseas it is counted as the fourth Aud sound source. This sound source is only "Chest Full". Therefore, there are currently two types of ``heart-filling'' Aud sound sources.